Thursday, 9 July 2015

Back to the Future (1985): ****



October 26th 1985. Marty McFly (Michael J. Fox) may be a gifted guitar-player with a nice girlfriend called Jennifer (Claudia Wells), but Marty is a slacker and seems destined to join his dweeby father George (Crispin Glover) as the latest failure of the McFly family. His friend Dr Emmett Brown (Christopher Lloyd) has told him to meet him in the early hours of the morning, to show him his latest invention. Doc Brown has created a time-machine fitted in a DeLorean DCM-12, powered by plutonium to travel forwards or backwards in time once you hit 88 miles per hour. Suddenly, they are ambushed by Libyan terrorists and Marty accidently travels to 5th November 1955, leaving Doc behind and with no plutonium to get him back to 1985. His encounter with his teenaged parents George and Lorraine (Lea Thompson) means the future has changed and Marty is slowly fading away. Marty has to find enough energy to power the DeLorean, ensure his existence and get back to Doc Brown in 1985. 

Back to the Future is a fun-packed sci-fi adventure film, boasting some of the most quotable quips of the 80s. Written by Rob Zemeckis and Bob Gale the script is full of zingy one-liners, from the confused 1950s residents’ response to Marty’s references, ‘What do you mean, you’ve seen this? It’s brand new.’ Irony abounds in Back to the Future as Marty knows the future of many of the residents he encounters, ‘Better get used to these bars, kid.’ Some wry commentary is made on similarities between the 50s and the 80s – generations to come will still be watching the TV whilst eating – and how people can become defined and stuck with same defining behaviour and personality traits. It’s a thoughtful yet surprisingly dark family film. Self-confidence and pursuing your dreams is advocated heavily in Back to the Future, as the McFly timeline is altered and the family’s lives are enriched. For the adults, the plot gets Oedipal very quickly once Marty arrives in the 50s and there is sexual harassment, border-lining on assault by one character in the third act.  This incident also leads to one of the few misfires in the film towards the end, where karma is fulfilled in a problematic and miscalculated manner.

Back to the Future also includes some fantastic production design, exemplified in the set of the town Hill Valley. In 1985 Hill Valley is dusty and well-lived in: the slightly de-saturated colour tones of the shop fronts, the flyers pasted on the walls and dimming neon signs. In contrast, 1955 Hill Valley is brighter like it just had a fresh coat of paint. The retro (to the audience) billboards, soda bars, jukeboxes and all the memorabilia are sprinkled throughout. The film is very appealing to look at. Alan Silvestri’s score is large and energetic, pushing the action forward whilst the soundtrack is a blend of rock and doo-wop. 

Michael J. Fox is charismatic as Marty McFly, who is all show on the front but has a fear of rejection lurking underneath. Marty is the embodiment of 80s cool; he’s a slightly mischievous skate-boarder and guitar player, which Fox handles with ease and confidence. Christopher Lloyd is in mad-scientist overdrive as Doctor ‘Doc’ Brown, eccentric inventor and almost like an uncle to Marty. Lloyd bursts with maniac energy onto our screen in a shock of white hair – wide-eyed with a childlike glee for science – reeling out scientific explanations and constantly creating new contraptions. Lea Thompson plays Lorraine, a love-struck teenager and Marty’s (future) mother for the majority of Back to the Future. Thompson captures Lorraine’s nervousness whilst also conveying her infatuation and desire, all in a single coy look. Like Lea Thompson, Crispin Glover performs the role of George, a nerdy young man and Marty’s (future) father. Glover is restless and his eyes are always downwards, as he is constantly self-doubting himself when he’s not being bullied. 

Back to the Future is a laugh-out loud adventure with charming production design, topped with some excellent comedic performances lead by Michael J Fox and Christopher Lloyd.

Related Posts:

0 comments:

Post a Comment