Frank’s (Frank Langella) memory is starting to go, he can
barely look after himself and he believes his son Hunter (James Marsden) is
still at Princeton, despite having graduated over fifteen years ago. Frank’s
few pleasures in his old age are shoplifting and flirting with the local
librarian Jennifer (Susan Sarandon). Tired and frustrated at not being able to
see his kids, due to spending ten hours every weekend to check on Frank, Hunter
gives Frank a health-care aid robot to help to the chores and keep an eye on
his health. At first, luddite Frank is annoyed by Robot’s (voiced by Peter
Sarsgaard) presence but soon discovers that Frank can pick up many skills –
like cooking, gardening and lock-picking. Frank devises a scheme to relive his
glory days as a thief and con-man, with Robot as his trusty accomplice.
Writer Christopher D. Ford incorporates into the plot the
closure and renovation of the local library by the rich developer Jake (Jeremy Strong).
Jake is replacing all the printed material with electronic copies and wants the
library to be a hip place for youngsters to hang out, complete with blaring
electro music and robotic staff. Jake’s smugness and the overhaul of his last
remaining sanctuary outside of his home motivate Frank into action, in a bid to
win Jennifer’s affection and take Jake down a notch. Ford also includes some
interesting details about how artificial intelligence works in this world.
Robot’s main aim is to help Frank’s health so he can lie if needed. Robot does
not recognise state law as it wasn’t part of his initial programming, a big
oversight from whoever designed his programming. These specific details add
richness to this near future, which is not always reflected in the
cinematography of Robot & Frank.
Director Jake Schreier favours composition in his shots, but the lack of
interesting camera movement means the film looks a bit flat in places.
Robot &
Frank’s strengths lie in its comedy and its performances. Frank
Langella gives a dry humour to his lines, ‘I’m talking to an appliance’, but
Langella never falls into a one-note performance as ‘curmudgeonly old man’.
Frank possesses a slyness which allows him to deflect his children’s worry and
avoid arrest. At points, Frank cheekily plays up his memory loss to his
advantage in certain situations. Despite his faults and his frustrations, Frank
is a warm, sometimes lonely character. As the voice of Robot, Peter Sarsgaard captures
a surprising amount of humanity in Robot, even though he constantly reminds
Frank he’s not a real person. Together, Robot and Frank make a sweet bickering
pair. James Marsden and Liv Tyler give sympathetic performances as Frank’s
children, Hunter and Madison respectively. Marsden is weary as the hard-working
husband and father, who still has bitter feelings about Frank’s non-involvement
in his childhood and sees technology as a blessing. In contrast, Tyler’s
Madison is politically active and travels to help others in need; she finds
robotic labour abhorrent and is distrustful towards Robot. Susan Sarandon is utterly
beguiling as librarian Jennifer, who accepts that the world is changing and
still tries to be a friend to Frank, despite his forgetfulness. Robot & Frank may hit all the
comedic notes, but the emotional drama it seeks lies just out of reach for this
film.
Robot &
Frank is a sweet and charming comedy about one older man’s
struggle in a world of rapid memory loss and advancing technology.
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